Re: WHO WAS WHITEY MCPHERSON 1937-8
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In reply to:
WHO WAS WHITEY MCPHERSON 1937-8
2/15/99
As a follow-up and addition to my query last week I provide the following information about "Whitey MCPHERSON":
A.) from THE ROOTS N' BLUES RETROSPECTIVE 1925-1950 (Columbia / Legacy 1992) by Pete Welding and Lawrence Cohn; p. 33
A.) from THE ROOTS N' BLUES RETROSPECTIVE 1925-1950 (Columbia / Legacy 1992) by Pete Welding and Lawrence Cohn; p. 33"The Rhythm Wreckers were distinguished by the presence of Whitey MCPHERSON, their vocalist, who was 14-15 years old at the time of the recording [27 March 1937, Los Angeles, CA]. Most of the recordings made by this group (along with MCPHERSON) were blues tunes, the one included in this collection [BLUE YODEL #2 {MY LOVIN' GAL LUCILLE} LA1292-1, Vocalion 3566] a Jimmie Rodgers composition. MCPHERSON had an one year contract with Vocalion, April 21, 1937 to April 21, 1938. He was to be paid $200 for 16 selections plus a royalty. At roughly the same time as this recording, MCPHERSON also appeared in a movie with singer Gene Austin."
"The Rhythm Wreckers were distinguished by the presence of Whitey MCPHERSON, their vocalist, who was 14-15 years old at the time of the recording [27 March 1937, Los Angeles, CA]. Most of the recordings made by this group (along with MCPHERSON) were blues tunes, the one included in this collection [BLUE YODEL #2 {MY LOVIN' GAL LUCILLE} LA1292-1, Vocalion 3566] a Jimmie Rodgers composition. MCPHERSON had an one year contract with Vocalion, April 21, 1937 to April 21, 1938. He was to be paid $200 for 16 selections plus a royalty. At roughly the same time as this recording, MCPHERSON also appeared in a movie with singer Gene Austin."B.) from WHITE COUNTRY BLUES (1926-1938): A LIGHTER SHADE OF BLUE (Columbia / Legacy) 1993 by Charles K. Wolfe; p. 27
B.) from WHITE COUNTRY BLUES (1926-1938): A LIGHTER SHADE OF BLUE (Columbia / Legacy) 1993 by Charles K. Wolfe; p. 27"In several of his later blues sides Jimmie Rodgers used a small jazz band for back-up, and this lesson was not lost on western swing musicians as they embraced Rodgers' repertoire and much of his style. In 1937 and 1938, Art Satherly recorded a series of sessions by a now-obscure group called The Rhythm Wreckers. The sessions were held in Los Angeles and featured a thin voiced singer named Whitey MCPHERSON, who sounded as much like Emmett Miller as Jimmie Rodgers. Most of the sessions featured older numbers, including a healthy share of Rodgers. "Never No Mo' Blues" [27 March 1937, Los Angeles, CA; LA1290-1, Vocalion 3523], despite it's parodistic quality, is among the most appealing of these."
"In several of his later blues sides Jimmie Rodgers used a small jazz band for back-up, and this lesson was not lost on western swing musicians as they embraced Rodgers' repertoire and much of his style. In 1937 and 1938, Art Satherly recorded a series of sessions by a now-obscure group called The Rhythm Wreckers. The sessions were held in Los Angeles and featured a thin voiced singer named Whitey MCPHERSON, who sounded as much like Emmett Miller as Jimmie Rodgers. Most of the sessions featured older numbers, including a healthy share of Rodgers. "Never No Mo' Blues" [27 March 1937, Los Angeles, CA; LA1290-1, Vocalion 3523], despite it's parodistic quality, is among the most appealing of these."C.) from MUGGSY SPANIER; THE LONESOME ROAD (Jazzology Press 1995) by Bert Whyatt; p. 35
C.) from MUGGSY SPANIER; THE LONESOME ROAD (Jazzology Press 1995) by Bert Whyatt; p. 35"[Ben] Pollack was also making records for Vocalion which issued them as the Rhythm Wreckers. These were of a deliberately 'corny' nature and Spanier was not proud of his part in them: 'I made those records...it was Ben Pollack's band. The singer was a hillbilly from Texas. Pretty bad! I never even heard the records but remember making them."[from Muggsy Spanier letter to David Sessions]
"[Ben] Pollack was also making records for Vocalion which issued them as the Rhythm Wreckers. These were of a deliberately 'corny' nature and Spanier was not proud of his part in them: 'I made those records...it was Ben Pollack's band. The singer was a hillbilly from Texas. Pretty bad! I never even heard the records but remember making them."[from Muggsy Spanier letter to David Sessions]********************************************************************************
********************************************************************************"Whitey" MCPHERSON sang on the following Rhythm Wreckers selections:
"Whitey" MCPHERSON sang on the following Rhythm Wreckers selections: (27 March 1937 Los Angeles, CA)
Never No Mo' Blues [LA1290-1 / Vocalion 3523]
St. Louis Blues [LA1291-1 / Vocalion 3566]
Blue Yodel No.2 [LA1292-1 / Vocalion 3566]
Never No Mo' Blues [LA1290-1 / Vocalion 3523]
St. Louis Blues [LA1291-1 / Vocalion 3566]
Blue Yodel No.2 [LA1292-1 / Vocalion 3566]
(9 June 1937 Los Angeles, CA)
Red Headed Music Maker [LA1346 / Vocalion 3670]
Blue Yodel No.1 [LA1347-2 / Vocalion 3642]
Red Headed Music Maker [LA1346 / Vocalion 3670]
Blue Yodel No.1 [LA1347-2 / Vocalion 3642]
(17 June 1937 Los Angeles, CA)
Blue Yodel No.3 [LA1349-1 / Vocalion 3670]
Desert Blues [LA1350-1 / Vocalion 3642]
Blue Yodel No.3 [LA1349-1 / Vocalion 3670]
Desert Blues [LA1350-1 / Vocalion 3642]
"Whitey" also released four 78 rpm recordings (8 sides) as "Whitey MCPHERSON accompanied by the Rhythm Wreckers"
"Whitey" also released four 78 rpm recordings (8 sides) as "Whitey MCPHERSON accompanied by the Rhythm Wreckers"[Vocalion 3883] Little Lady / ?[Vocalion 3937] Brakeman Blues {LA1518} / Old Fashioned Love {LA1519}
[Vocalion 4245] Blue Ridge Mountain Blues / ?
[Vocalion 4339] Am I Blue / ?